Margaret Collier, a young, attractive, recently widowed American girl, stands at her hotel window looking out over London on a sultry night and is inadvertently caught up in the intricacies of a murder that involves distinguished looking, coldly remote Englishman Hugh Vane.
Giving way reluctantly to a compulsive urge to discover the facts of the murder, she seeks out Sir Hugh at his ancestral estate, Monks’ Court, deep in the Shropshire countryside, and once the site of an ancient monastery.
The spell cast by the enigmatic Sir Hugh and by his beautiful and fateful house are Margaret’s undoing. She is enmeshed in events that take a terrifying turn when the threat of a second murder arises. This time, it is her own life that is menaced, and it is seemingly only the ardent devotion and determination of an American newspaperman, Richard Page, that offer her any hope of escape from the net that is tightening around her.
Once again, Katherine Wigmore Eyre has proved herself expert in creating the atmosphere for a plot charged with excitement. Glimpses of London and the English springtime countryside provide an authentic background for her story. In this splendid, fast-moving tale she demonstrates her mastery of the novel of suspense.
Katherine Eyre lives in San Francisco but knows England well. She loves the English countryside, and of London says, “It fascinates me. I can’t stay away.”
I bought this lovely first edition hardcover for £1 at the street market yesterday. I’ve reviewed another of Katherine Wigmore Eyre’s gothics, The Sandalwood Fan, last year and I struggled to finish that book due to its slow pace and lack of gothic mood. Monks’ Court, with its ancestral, ‘fateful’ house and rural setting, certainly sounds a little more promising so maybe I’ll get round to it one day.
Though I’m not such a huge fan of hardcover books, I love it when I find one adorned with a cover sleeve in such good condition. The artist, Charles Geer, has illustrated a number of gothic dust jackets and he has a very distinctive style – especially his gorgeously ruinous and rambling houses. Check out more of his amazing artwork HERE and HERE and HERE.
Another bonus is this lovely photograph of the authoress on the back – that dramatic lighting combined with such a classy pose makes her look every inch the quintessential gothic romance writer!