When Paul Stembridge came looking for his missing brother Geoffrey, Susan Lord could not know he had brought a family curse with him. Susan fell in love with Paul, married him, and in her happiness, all thoughts of Geoffrey were forgotten.
But soon a subtle change came over Paul. gradually Susan realised that he wanted her for one purpose only – to help him break the curse.
What had become of the missing Geoffrey? If the curse had taken him, then Susan, too, was in danger. Captive of a family plagued by voilence, Susan faced a legacy of evil that spanned more than a century.
She had to learn the secret of the Stembridge curse – or die a victim of it.
Writen by Nancy Taylor Smith. First Ace printing August 1974.
Set in the early 1900’s this is an exotic excursion into the world of old time tropical plantations and dark family secrets, with a smattering of voodoo adding intrique to the mix.
Susan Lord works in the Ossadaga Public Library, lives in the local boarding house and feels life is passing her by. A self proclaimed old maid at 25 (weren’t those the days!) you can imagine her excitement when the mysterious, tall, dark and handsome Paul Stembridge comes into town. A whirlwind romance follows and soon enough Susan is married and whisked off to Stembridge’s grand West Indian stately mansion.
Well, marriage is not all it’s cracked up to be for Susan, with Mr Right very quickly turning into Mr Completely Appalling as he becomes increasingly moody, abusive and controlling toward his
spouse. Then there’s the hostile family and the West Indian ghost’s or duppies to put up with, as well as the resident family witch leaving voodoo dolls in her underwear drawer.
Like all great gothic heroines, Susan takes whatever’s thrown at her, even her husband’s punches, and carries on trying to mantain some semblance of normality, while all is heaving and seething around her.
Gradually more and more clues lead her to the truth behind her brother in laws dissappearance and, as befittng such a glamorous location, things come to a stormy, windswept climax during a thundery hurricane – when Susan finds true love in the arms of her rescuer as the mystery behind the Stembridge family curse is finally revealed.
For connoisseurs of the creepy, this book has a little something for everyone. There’s black magic, white magic, haunted houses, madness and hidden treasure. There’s even the grisly remains of a body hidden right under everyone’s noses – I won’t say where but the clue is in the title. Three out of five stars.
James Venner was a bluff county squire; his wife kindly but fussy; his daughter withdrawn and secretive; and his only son, Tarquin, a musical prodigy of genius. Their lonely house in Devon seemed a sanctuary to young violinist, Vanessa Orchard, who went to live with them to coach Tarquin.
This is an atmospheric suspense novel with some nice gothic touches. We have violins, madness, strange midnight whisperings, foggy, deadly landscapes and a mangled kitten in the bed scene. The Venner famly are very weird, especially the child prodigy with a penchant for nazi memorabilia, Tarquin.
Orphaned Janet Bewleigh had become an heiress overnight – the unexpected reward for an act of kindness – and now the once locked doors of her beloved Knight’s Keep were open to her.
HARLEQUIN HOUSE – where the ghosts of a violent past intruded on a honeymoon…..
Yorke, reluctantly agrees to marry the moody and mysterious gent, Mr Breckenridge Rawlins. This is strictly a union of convenience – he needs her money and she needs to escape from a scandal caused by the sudden breakdown of the engagement to her true love, John Markham. After a quick and loveless honeymoon, Tamson soon finds herself mistress of a grand but beaten up old southern mansion; a place as dark, secretive and brooding as her pretend husband.
Written in the first person narrative, this is a very nicely done, spine tingling, good ol’ boy southern gothic, with plenty of intrique and ghostly goings on. There are cursed bloodstains and doomed love triangles to contend with and I particularly liked some of the descriptive passages centred around Tamson’s initial reactions to her new abode and it’s inhabitants. Though the start was a bit shaky, I quickly found myself engrossed in the story and its characters. The cover art ticks all the right boxes and there is an added lovely little pen and ink sketch on the inside cover. A bit of a page turner and recommended. Four out of five stars.
Ruth Ames could hardly believe her good fortune when she and her husband Charles found a house that they could afford. But the turquoise colour was not the only strange thing about the new house. For soon after they moved in, Ruth knew that evil had happened there.
involved in this one. There are some nice gothic touches and hints of ghostly goings on, with phantasmic footsteps in the attic and mysterious scents haunting Ruth’s sleep, but these are overshadowed by the motly, raggle taggle crew that makes up the novel’s supporting characters – believe me these neighbours are weird, and not in a good way; the poor characterisation and stilted dialogue seriously compromise the novel’s credibility. I also found the relationship between Charles and Ruth a little jarring at times and bordering on the abusive.
There are no crumbling castles, no ghosts or evil entities lurking in the shadows and the whole story takes place in sunny 1970’s California. But don’t let that put you off as this is a rather well written murder mystery that keeps it’s secrets right up till the end.
“Was a noose tightening around a horrified Deborah Foster?
A Gathering of Evil is set in 1872 and tells the tale of a young woman called Deborah struggling to find out the circumstances of her late sister’s death. Against all advice she travels to the estate of her sister’s widower where she finds herself pitted aganst all manner of evil things, including phantoms, werewolves, hunchbacked gypsies and transmigrating souls – and she even manages to attend the odd satanic mass or two. Nothing is as it seems in this haunted mansion of dark cellars and secret passageways as friends become enemies and enemies turn out to be – well not quite as nasty as they first appeared. 
Our heroine, Ann Preston, has accepted a live-in job as a secretary with the sinister Duval family in France and has ended up with a little more than a delusional boss and a pile of paperwork to deal with. Someone or something is trying to kill her and, though a range of suspects present themselves early on, the who’s and why’s kept me guessing till (nearly) the end. 
So what is it about these small, usually unappealingly mouldy smelling paperbacks I find so attractive? Maybe it was too much time spent watching Dark Shadows growing up or a gradual disenchantment with an over hyped, over priced market in modern horror, but time and time again, like the proverbial moth to a flame, I find myself irresistibly drawn to these haunting tales of romantic suspense and supernatural horror.
live hunk of (mostly) human love. To be fair, I’m sure many readers bought these books specifically for the ‘riding off into the sunset’ happy endings, but for those of us who prefer intrigue over romance, there are usually more than enough plot twists, villains, and unhappy skeletons in the closet to keep us coming back for more.
But I do not think this genre is any more guilty of “hack” writing than any other and in the right hands many of these books contain absorbing, evocative stories, full of the kind over dramatic gothic melodrama that’s so fun to lose yourself in occasionally, and they are a credit to their authors – particularly when you consider the very restrictive guidelines they must of conformed to just to get published. In any event, literary snobbery aside, any book that gets people reading is a great book and there is no doubt the gothic romance genre has a loyal and avid readership.
favourite reads in vintage romantic gothic ficton. In their hey day during the 60’s and 70’s there must have been thousands of these books published but these days they are becoming harder to come by and, just like the haunted houses they depict, many of them are falling into ever increasing states of decrepitude. I can only live in hope that someone, someday resurrects this forgotten genre and starts reprinting some of these titles, complete with their original gorgeous artwork, soon.